Daisy Edgar-Jones

Daisy Edgar-Jones has the quicksilver adaptability of a Gemini Sun, the marriage of Helios and Mercury, always able to be two people at once, and that is a rare and useful gift for an actress. Gemini shines through versatility and curiosity, slipping between roles the way the twins slip between selves, and Daisy has done exactly that: the aching Marianne of Normal People that made her name, the unsettled heroine of the horror Fresh, the marshland survivor Kya in Where the Crawdads Sing, a meteorologist chasing storms in Twisters. Born in Islington and raised in Muswell Hill, drawn to the stage since a school play at five, she has moved fluently across television, film and theatre, never quite the same character twice.

Yet her Moon in Taurus is the exalted moon, the steadiest and most grounded place a moon can sit, Venus-ruled and devoted, at peace through stability and the pleasures of the senses. It is the ballast beneath the Gemini flit: a loyal, patient, quality-loving core that lets her commit deeply to a role and to a notably private life. A darting mind married to a steady heart, and an actress still choosing her parts with care.